BARB JUNGR - Chanson : The Space in Between (2000) SACD / FLAC (tracks+.cue), lossless

Timeless as it is, you could have asked, justly, whether or not the new millennium really needed yet another interpretation of the Jacques Brel songbook, so often had it been attempted, both successfully and miserably, in the preceding century. Barb Jungr definitively answered that question on Chanson: The Space in Between, and she answered resoundingly in the affirmative -- it is an exhilarating purr of an effort. But then, Jungr, a longstanding anchor of the British alternative cabaret circuit, had already been compared to both Lotte Lenya and Edith Piaf prior to recording this first full-fledged effort in the genre (she had previously performed some of the music live and Bare did include a Brel song amongst its set list), so its accomplishment is no surprise. The album, too, goes well beyond Brel, featuring as it does a repertoire that includes songs by Cole Porter, Jacques Prévert, Léo Ferré, and E.Y. "Yip" Harburg from the old tradition, as well as a tune from the pen of Elvis Costello and a modern chanson from compatriot Robb Johnson. There are several reasons why Chanson is such a splendid realization of Jungr's vision. For one, the singer specially commissioned translations of the Brel and Ferré pieces from Johnson and fellow cabaret haunter Des de Moor, and they represent the most accurate renderings of these songs into English. Secondly, producer Calum Malcolm, utilizing an extremely sympathetic band, creates rich, poignant backdrops for the songs. You can hear the mythic Paris of yore wafting throughout, particularly in "Sunday Morning St. Denis" and "Cri du Coeur," while there is an equally strong strain of straight-ahead jazz ("Quartier Latin," "The Space in Between"). Most important, though, are the ravishing readings given by Jungr. Her performance ranges from the almost desperate and passion-haunted, both in life and love ("La Chanson des Vieux Amants"), to the positively triumphant ("Marieke") with equal skill, sounding as gorgeously weathered on "I Love Paris" as she seems delightfully guileless and clear-eyed on "New Amsterdam" (with its flawlessly ringing production). This is cabaret in its highest form.  by Stanton Swihart 
Tracklist :
1 Ne Me Quitte Pas  5:32
Jacques Brel
2 Sunday Morning St. Denis  6:29
Robert A. Johnson / Sam Mosley
3 I Love Paris  3:50
Cole Porter
4 Les Marquises  6:32
Jacques Brel
5 Cri du Coeur  2:40
Henri Crolla / Jacques Prévert  
 6 Quartier Latin  5:13
Léo Ferré
7 Marieke  4:02
Jacques Brel / Gérard Jouannest
8 April in Paris  2:48
Vernon Duke / E.Y. "Yip" Harburg
9 La Chanson des Vieux Amants (The Song of Old Lovers)  5:56
Jacques Brel
10 New Amsterdam  3:32
Elvis Costello
11 Les Poètes (The Poets)  3:19
Léo Ferré
12 The Space in Between  3:14
Barb Jungr / James Tomalin
13 No Regrets  2:48
Charles Dumont / Michel Vaucaire
Credits :
Accordion, Piano – Kim Burton (tracks: 2 to 9, 11, 12)
Acoustic Bass – Julie Walkington
Percussion – Kevin Hathway (tracks: 2, 4, 6, 10, 12)
Piano – Russell Churney (tracks: 1, 4, 6, 7, 9, 10), Simon Wallace (tracks: 3, 8, 13)
Sampler – James Tomalin (tracks: 1, 4 to 7, 10, 12)
Violin – Rolf Wilson (tracks: 3, 5, 6, 8, 11 to 13)
Vocals – Barb Jungr

BARB JUNGR - Every Grain Of Sand (2002) HDCD / FLAC (tracks), lossless

Every Grain of Sand is a breathtaking revelation on several fronts. First, Barb Jungr treats Bob Dylan as one of the great tunesmiths of the American popular tradition. Not merely as rock & roll's preeminent songwriter, the direction from which virtually all others have approached his canon, but as a sophisticated composer the equal of the Gershwins, Irving Berlin, Jerome Kern, or Cole Porter. Jungr dramatically re-reads that canon and she fearlessly reshapes it in the process. To cite the most radical instances, she turns "Things Have Changed" into an Eastern European jig and "Tangled up in Blue" into a jaunty, jazzy western, while "Born in Time" is a marvel full of Baroque voicings. One may quibble -- and Dylan fanatics, known to be provincial on occasion, certainly will, perhaps vociferously -- with an arrangement here or a lyrical interpretation or subtle shading there without -- and here is the magic of the album -- in the least invalidating the singer's choices. Indeed, part of the sublime beauty of Every Grain of Sand is that it inspires, even challenges, one to make personal revisions and reinterpretations. Ultimately, Jungr is one of the few artists who has managed to not only come out on the other side of this songbook unscathed, but to actually come out having enhanced its gravity, significance, and unvarnished beauty as well as her own. She is not merely singing, but telling stories. She opens up a window of vulnerability and sensuality that had previously sat stoic beneath the surface of these songs and suffuses them with such a delicate, gauzy luminosity that they seem to glow from the inside out. Her singing is soulful and emotionally naked, and the performances are so expressive that you take something new away with each listen. The treasures ("I'll Be Your Baby Tonight," "Ring Them Bells," "Not Dark Yet," "Is Your Love in Vain?," and "What Good Am I?") tucked away here are endlessly rewarding. If you think you've heard Bob Dylan -- or Barb Jungr -- before Every Grain of Sand, you are, simply put, mistaken. by Stanton Swihart  
Tracklist :
1     I'll Be Your Baby Tonight 4:06
Bob Dylan
2     If Not for You 3:09
Bob Dylan
3     Things Have Changed 4:57
Bob Dylan
4     Ring Them Bells 3:14
Bob Dylan
5     Not Dark Yet 4:36
Bob Dylan
6     Don't Think Twice, It's All Right 4:37
Bob Dylan
7     Is Your Love in Vain? 3:29
Bob Dylan
8     It's All over Now, Baby Blue 4:10
Bob Dylan
9     I Want You 3:13
Bob Dylan
10     Sugar Baby 7:40
Bob Dylan
11     Born in Time 3:10
Bob Dylan
12     What Good Am I? 3:58
Bob Dylan
13     Tangled Up in Blue 5:33
Bob Dylan
14     Forever Young 2:57
Bob Dylan
15     Every Grain of Sand 4:22
Bob Dylan
Credits :
Accordion – Kim Burton
Cello – Sonia Oakes Stuart
Double Bass – Julie Walkington
Harmonica – Barb Jungr
Percussion – Gary Hammond
Piano – Russell Churney (faixas: 4, 9, 13), Simon Wallace (faixas: 1-3, 5-8, 10-12, 14-15)
Tenor Saxophone, Soprano Saxophone – Mark Lockheart
Violin – Sonya Fairburn
Vocals – Barb Jungr 

BARB JUNGR - Waterloo Sunset (2014) SACD / FLAC (tracks+.cue), lossless

With her previous three albums, Barb Jungr had already proved herself one of Britain's most engrossing cabaret singers and one of the most adroit song interpreters in modern vocal pop, and Waterloo Sunset does nothing to alter or diminish that assessment. It does feel like a small step backward in terms of content after the all-Bob Dylan program of Every Grain of Sand, but it is certainly not a step down in quality and intelligence of performance. In fact, it is a return to the interpretive eclecticism of Bare, with its dramatic overhauls of pop tunes (in effect, similar to her contemporary Cassandra Wilson, if not in style) by the Everly Brothers, Leon Russell, and Richard Thompson (a masterful, almost art song "The Great Valerio"), among others, intermingled with a few of Jungr's own delightful originals. It might even be thought of as a dressed-up version of that album, nowhere more evident than in the Ray Davies-penned title tune. The stripped-down take from Bare is damaged, lonely, movingly reflective; the reimagined version of "Waterloo Sunset" is wistful, sure, but also bluesy, impregnable, rounding the corner toward sanguinity. That this Brit Invasion song sounds perfectly fluent and fluid coming after the Tin Pan Alley jazz chestnut "Laugh Clowns Laugh" says much about the caliber of the writing, of course, but also about how Jungr is able to locate and explore the je ne sais quoi of a composition, what is both ageless and new, unknown, what connects even as it perplexes. The album sustains this inquisitive mood, plowing into emotions that lurk beneath façades, like the enigmatic clowns and jesters that dance through the lyrics, and finally bubbling over on the marvelous concluding rehabilitation of Steve Miller's "The Joker," in which a crass come-on is transformed into an effusive flirtation. It's something to behold. Jungr had not quite gotten Mr. Zimmerman out of her blood either, so fans of Every Grain of Sand have a couple more Dylan treats in store with versions of the classic "Like a Rolling Stone" and the more recent Love and Theft track "High Water (For Charley Patton)." Calum Malcolm again produces beautifully, employing a carnival of colors and textures; the entirely new backing band is crackerjack throughout, breezing through music hall, cocktail jazz, bossa nova, and Western swing with the equal panache. by Stanton Swihart  
Tracklist :
1     Do You Play Guitar? 3:53
Barb Jungr / Adrian York
2     High Water 5:49
Bob Dylan
3     Cathy's Clown 3:35
The Everly Brothers
4     This Masquerade 5:09
Leon Russell
5     The Great Valerio 3:49
Richard Thompson
6     When Do the Bells Ring for Me? 2:54
7     Written in the Dark Again 5:26
Christine Collister / Barb Jungr
8     Like a Rolling Stone 6:03
Bob Dylan
9     Lipstick Lips Lament 4:22
Barb Jungr
10     Laugh, Clown, Laugh 3:30
Sam M. Lewis / Joe Young
11     Waterloo Sunset 4:32
Ray Davies
12     The Joker 5:35
Eddie Curtis / Ahmet Ertegun / Steve Miller
Credits :
Acoustic Bass – Geoff Gascoyne
Drums, Percussion – Nic France
Guitar – Matt Backer
Piano – Adrian York
Violin – Stuart Hall (faixas: 5)
Vocals – Barb Jungr

BARB JUNGR - Love Me Tender (2005) SACD / FLAC (tracks+.cue), lossless

 

 Another exquisite, at times astonishing, album from Miss Jungr. Unlike Bob Dylan, whose songbook the singer had so expressively reimagined on Every Grain of Sand, Elvis Presley was never himself a composer, depending instead entirely on professional publishers for his material, much of it originally chosen for its commercial prospects; however, even at its worst -- the soundtracks to the crap cookie-cutter movies the King made in the '60s usually come to mind here -- his recorded output had a certain consistency to it. On reflection that is primarily because, even at their qualitative best, his songs were as much about the sensual, muscular, bel canto performances and tied to the superstar singer's outsize, magnetic personality as they were about the merits of the tunes themselves. In other words, you are listening to Elvis sing those songs more than you are listening to the songs he is singing. In a way, that makes Jungr's Love Me Tender all the more remarkable: you do not hear the King at all here except in faint echoes and traces, like barely remembered fairy tales you were told as a child as you were drifting off to sleep. This isn't an exercise in dress-up, as it very easily might have been. Instead you are treated to a phenomenally responsive singer finding her way into and breathing the oxygen of forgotten stories, while, in the process, refitting them to say something real and useful, something personal about your world and about the one long past. In a sense, you are hearing these songs -- many of them now considered classics (pop/rock standards, if such things exist) -- for the first time. Worlds of passion and pain, discovery and dislocation exist in these songs. They are so entirely reinvented by Jungr, her brilliant arrangers Adrian York and Jonathan Cooper, and producer Calum Malcolm that the prevailing mood of the album is transformed into a mosaic, a complex map of one woman's fully lived life, from the dizzy, tender love letters of expectation to the lonesome heartbreak hotels that litter the highways of life, and all the attendant reveries, roadblocks, and realizations along the way, until she arrives at the gospel of her -- your -- existence, an exultant take on one of Presley's own favorite Baptist hymns, Thomas A. Dorsey's "Peace in the Valley." Jungr may have been "Looking for Elvis," as she sings in the album's sole self-written original, but she found herself. And in that discovery, there is a certain gesture of sublime benevolence toward the listener. Love Me Tender is an autobiography of shared memory, but more than that it is a primer to how people refashion that memory to ascertain and navigate their own trajectories. by Stanton Swihart  
Tracklist :
1     Love Letters 3:13
Victor Young
2     Heartbreak Hotel 4:04
Mae Boren Axton / Tommy Durden / Elvis Presley
3     Long Black Limousine 4:23
Bobby George / Vern Stovall
4     Wooden Heart 3:04
Bert Kaempfert / Traditional / Kay Twomey / Ben Weisman / Fred Wise
5     Are You Lonesome Tonight? 8:03
Lou Handman / Roy Turk
6     Kentucky Rain 4:49
Dick Heard / Eddie Rabbitt
7     In the Ghetto  3:39
Mac Davis
8     Love Me Tender 5:28
Vera Matson / Elvis Presley
9     Always on My Mind 5:05
Johnny Christopher / Mark James / Wayne Carson
10     I Shall Be Released 5:32
Bob Dylan
11     Tomorrow Is a Long Time 6:00
Bob Dylan
12     Looking for Elvis 3:44
Barb Jungr / Adrian York
13     Peace in the Valley 2:56
Rev. Thomas A. Dorsey
Credits :
Acoustic Bass – Mario Castronari (faixas: 6, 12)
Cello – Thangam Debbonaire (faixas: 10)
Harp – William Jackson (faixas: 2)
Keyboards – Adrian York (faixas: 1, 2, 4 to 8, 12)
Keyboards, Clarinet – Jonathan Cooper (faixas: 3, 4, 9, 11)
Viola – Rebecca Brown (faixas: 10 to 12)
Violin – Dominika Rosiek (faixas: 10), Miriam Teppich (faixas: 10)
Vocals – Barb Jungr 

BARB JUNGR - Walking in the Sun (2006) SACD / FLAC (tracks+.cue), lossless

Tracklist :
1     Who Do You Love? 2:56
Ellas McDaniel
2     Trouble in Mind 4:32
Bob Dylan
3     Beautiful Life 4:07
Barb Jungr / Adrian York
4     Drink Me Up 3:56
Barb Jungr
5     Walking in Memphis 3:46
Marc Cohn
6     Walking in the Sun 4:11
Jeff Barry
7     Rainy Day 5:55
Brownie McGhee / Ruth McGhee
8     Take out Some Insurance 2:58
Singleton / Hall 
9     Run on for a Long Time/God's Song 4:16
Randy Newman / Traditional
10     Blind Willie McTell 4:11
Bob Dylan
11     Many Rivers to Cross 5:44
Jimmy Cliff
12     Heading Home 4:02
Eric Bibb / Levi B. Saunders
13     Way Over Yonder 4:11
Carole King
Credits :
Bass – Steve Watts
Cello – Gabriella Swallow
Drums – Roy Dodds
Guitar – Eric Bibb
Harmonica, Organ, Backing Vocals, Keyboards – Jessica Lauren
Piano, Backing Vocals, Music Director – Jenny Carr
Vocals – Barb Jungr

BARB JUNGR - Just Like a Woman (Hymn to Nina) (2008) SACD / APE (image+.cue), lossless

With her previous two releases devoted to the songs of Bob Dylan and Elvis Presley, the British cabaret artiste Barb Jungr has just about mastered the art of the modern tribute album. JUST LIKE A WOMAN takes its inspiration from the work of Jungr's forebear, the ultimate eclectic songstress Nina Simone, whose stature within contemporary music has only grown in the years since her death. To be sure, Jungr's natural-sounding folk-singer's voice sounds nothing like Simone's. Nor does does she model her arrangements on the original recordings of these tunes, most of which weren't even Simone's most celebrated. This allows Jungr even greater freedom with her characteristicaly novel arrangements and unexpected choices. So for starters, we are treated to a lively reggae version of "Just Like A Woman" as well as an effectively powerful medley juxtaposing "One Morning In May" and Steppenwolf's "The Pusher." Another musical highlight: a deliberative, hymn-like "Angel Of The Morning." by Richard Mortifoglio
Tracklist :
Black Is The Colour / Break Down And Let It All Out    (4:31)
1.1        Black Is The Colour Of My True Love's Hair
Traditional
1.2        Break Down And Let It All Out
Written-By – Van McCoy
2        Just Like A Woman 5:34
Written-By – Bob Dylan
3    Lilac Wine 5:09
Written-By – James H. Shelton
4    The Times They Are A-Changin' 3:16
Written-By – Bob Dylan
5    Angel Of The Morning 5:27
Written-By – Chip Taylor
6    Don't Let Me Be Misunderstood 4:28
Written-By – Bennie Benjamin, Gloria Caldwell, Sol Marcus
7    Keeper Of The Flame 4:37
Written-By – Charles Derringer
8    To Love Somebody 5:19
Written-By – Barry Alan Gibb, Robin Hugh Gibb
One Morning In May / The Pusher    (6:38)
9.1    One Morning In May
Traditional
9.2    The Pusher
Written-By – Hoyt Wayne Axton
10    Ballad Of Hollis Brown 4:57
Written-By – Bob Dylan
11    Feeling Good 3:18
Written-By – Anthony George Newley, Leslie Bricusse
Credits :
Arranged By – Barb Jungr, Jenny Carr, Jessica Lauren
Backing Vocals – Barb Jungr, Jenny Carr, Jessica Lauren
Bass – Danny Thompson
Clarinet, Saxophone – Mark Lockheart
Drums, Percussion, Other [Clock Sample] – Johnny Lee
Harmonica, Mbira, Mellotron, Organ, Autoharp, Other [Electronic Tanpura] – Jessica Lauren
Music Director, Piano – Jenny Carr
Vocals – Barb Jungr 

BARB JUNGR - The Men I Love : The New American Songbook (2010) FLAC (tracks+.cue), lossless

When jazz, cabaret, and traditional pop artists speak of the Great American Songbook, they are usually referring to Tin Pan Alley treasures of the 1910s, '20s, '30s, and '40s. But worthwhile American popular music didn't end with Cole Porter, Irving Berlin, Harry Warren, or the Gershwin siblings. Rock and R&B gave us subsequent generations of American musical poets, and British cabaret singer Barb Jungr obviously had that fact in mind when she called this album The Men I Love: The New American Songbook. Jungr's 2010 release is not a celebration of the Tin Pan Alley era, but rather, a tribute to songwriters (most of them American) who made their mark in the '60s, '70s, or '80s. Although cabaret has been a major focus for Jungr, The Men I Love doesn't really fall into that category. Stylistically, this 52-minute CD has more to do with folk-rock, soft rock, and adult alternative than it does with cabaret. So when Jungr puts her stamp on Bob Dylan's "You Ain't Going Nowhere," Jimmy Webb's "Wichita Lineman" (a major country-pop hit for Glen Campbell in 1968), or Paul Simon's "My Little Town," listeners are reminded of Judy Collins, Sarah McLachlan, or Mary Fahl rather than Wesla Whitfield or the late Nancy LaMott. Jungr takes plenty of chances, transforming everything from the Talking Heads' "Once in a Lifetime" to the Isley Brothers-associated "This Old Heart of Mine" into introspective folk-rock ballads. Occasionally, Jungr misses the mark. Her most awkward moment comes on Bruce Springsteen's "The River," a poignant tale of a blue-collar worker who impregnates his high school sweetheart and struggles to support a wife and kid doing construction work when he can find it. Jungr, like Springsteen, performs "The River" in the first person and does so without irony, which is problematic because The Boss' lyrics were obviously written from a male point of view. "The River" probably would have worked well for Jungr had she changed Springsteen's lyrics to the third person and played the part of a sympathetic female observer, but trying to portray a construction worker who impregnated his girlfriend was a misstep on Jungr's part. Thankfully, that is the only real misstep on a generally engrossing album that has a lot more plusses than minuses. by Alex Henderson  
Tracklist :
1    Once In A Lifetime 4:07
Written-By – Brian Eno, David Byrne
2    I'm A Believer 5:44
Written-By – Neil Diamond
3    Breaking Down The Walls Of Heartache 3:14
Written-By – Denny Randell, Sandy Linzer
4    Night Comes On 6:05
Written-By – Leonard Cohen
5    Can't Get Used To Losing You / Red Red Wine 3:23
Written-By – Doc Pomus, Mort Shuman, Neil Diamond
6    The River 4:52
Written-By – Bruce Springsteen
7    I Saw The Light 3:58
Written-By – Todd Rundgren
8    This Old Heart Of Mine / Love Hurts 5:39
Written-By – B & F Bryant, Holland-Dozier-Holland
9    Everything I Own 4:02
Written-By – David Gates
10    You Ain't Going Nowhere 3:19
Written-By – Bob Dylan
11    My Little Town 3:39
Written-By – Paul Simon
12    Wichita Lineman 3:46
Written-By – Jimmy Webb
Credits :
Cello – Frank Schaefer
Double Bass – Steve Watts
Flute, Shakuhachi – Clive Bell
Percussion – Paul Clarvis
Piano, Organ, Synthesizer – Simon Wallace
Producer, Arranged By – Barb Jungr, Simon Wallace

BARB JUNGR - Stockport to Memphis (2012) FLAC (tracks), lossless

Tracklist :
1    Stockport To Memphis
Guitar – Roddy Matthews
Written-By – Barb Jungr, Simon Wallace
2    Change Is Gonna Come
Written-By – Sam Cooke
3    River
Written-By – Joni Mitchell
4    Old Man
Piano – Jenny Carr
Written-By – Neil Young
5    New Life
Written-By – Barb Jungr, Simon Wallace
6    Urban Fox
Written-By – Barb Jungr, Simon Wallace
7    She's (He's) Not There
Written-By – Rod Argent
8    Fisherman's Blues
Written-By – Mike Scott, Steve Wickham
9    Lay Lady Lay
Written-By – Bob Dylan
10    Sunset To Break Your Heart
Written-By – Barb Jungr, Simon Wallace
11    Till My Broken Heart Begins To Mend
Written-By – Barb Jungr, Michael Parker
12    Lost On The River
Written-By – Hank Williams
13    Way Down In The Hole
Written-By – Tom Waits
Credits :
Arranged By – Barb Jungr, Jenny Carr, Simon Wallace
Backing Vocals – Barb Jungr, Ian Shaw, Mari Wilson, Sarah Moule
Cello – Natalie Rozario
Double Bass – Neville Malcolm
Drums – Rod Youngs
Harmonica, Vocals – Barb Jungr
Percussion – Gary Hammond
Organ [Hammond], Piano, Producer, Recorded By – Simon Wallace
Trumpet – Mark Armstrong 

BARB JUNGR - Hard Rain : The Songs of Bob Dylan & Leonard Cohen (2004) FLAC (tracks), lossless

Tracklist :
1    Blowin' In The Wind 4:42
Written-By – Bob Dylan
2    Everybody Knows 3:57
Written-By – Leonard Cohen, Sharon Robinson
3    Who By Fire 3:55
Written-By – Leonard Cohen
4    Hard Rain 4:35
Written-By – Bob Dylan
5    First We Take Manhattan 6:11
Written-By – Leonard Cohen
6    Masters Of War 7:14
Written-By – Bob Dylan
7    It's Alright Ma 6:21
Written-By – Bob Dylan
8    1000 Kisses Deep 6:56
Written-By – Leonard Cohen, Sharon Robinson
9    Gotta Serve Somebody 7:21
Written-By – Bob Dylan
10    Land Of Plenty 6:14
Written-By – Leonard Cohen, Sharon Robinson
11    Chimes Of Freedom
Written-By – Bob Dylan
Credits :
Richard Olatunde Baker - Percussion, Talking Drum
Gary Hammond - Percussion
Barb Jungr - Arranger, Vocals
Neville Malcolm, Steve Watts - Bass
Simon Wallace - Accordion, Arranger, Engineer, Organ (Hammond), Piano, Producer, Synthesizer

BARB JUNGR - Shelter from the Storm : Songs of Hope for Troubled Times (2016) FLAC (tracks+.cue), lossless

Tracklist :
1    Bali Hai 5:35
Written-By – Rodgers & Hammerstein
2    Stars Lazy But Shining 6:11
Written-By – Barb Jungr, Laurence Hobgood
3    Shelter From The Storm 5:23
Written-By – Bob Dylan
4    Sisters Of Mercy 5:18
Written-By – Leonard Cohen
5    Venus Rising 5:30
Written-By – Barb Jungr, Laurence Hobgood
6    Something's Coming 4:29
Written-By – Leonard Bernstein, Stephen Sondheim
7    Woodstock 6:10
Written-By – Joni Mitchell
8    Hymn To Nina 5:25
Written-By – Barb Jungr, Laurence Hobgood
9.1        All Along The Watchtower 6:07
Written-By – Bob Dylan
9.2    In Your Eyes
Written-By – Peter Gabriel
10    Life On Mars? / Space Oddity 5:01
Written-By – David Bowie
Credits :
Bass – Michael Olatuja
Percussion – Wilson Torres
Piano, Arranged By – Laurence Hobgood
Vocals – Barb Jungr

BARB JUNGR - Bare Again (2007) APE (image+.cue), lossless

 

Tracklist:
1    King Of The Road 2:47
Written-By – Roger Miller
2    Waterloo Sunset 3:33
Written-By – Ray Davies
3    Where Are You Now? 3:33
Written-By – Barb Jungr, Russell Churney
4    Au Depart 6:38
Written-By – Robb Johnson
5    Me And Bobby McGee 7:19
Written-By – Fred Foster, Kris Kristofferson
6    What Lovers Do 3:39
Written-By – Barb Jungr, Russell Churney
7    Les Amants D'Un Jour 3:36
Written-By – Claude Delécluse, Marguerite Monnot, Michelle Senlis
8    What A Waste 3:57
Written-By – Ian Dury, Rod Melvin
9    My Father 4:14
Written-By – Judy Collins
10    Sons Of 4:55
Written By – Mort Shuman
Written-By – Gérard Jouannest, Jacques Brel
11    Suzanne 3:28
Written-By – Leonard Cohen
12    Dancers To The Dawn 3:19
Written-By – Barb Jungr, Russell Churney
13    Mother Tongue 2:45
Written-By – Barb Jungr, Russell Churney
14    Just For Today 3:10
Written-By – Barb Jungr, Russell Churney
15    Song For Dan 3:11
Written-By – Barb Jungr, Russell Churney
Créditos
Arranged By, Vocals – Barb Jungr
Piano, Arranged By – Russell Churney