Two
years after D'Angelo brought the organic sound and emotional passion of
R&B to the hip-hop world with 1995's Brown Sugar, Erykah Badu's
debut performed a similar feat. While D'Angelo looked back to the peak
of smooth '70s soul, though, Badu sang with a grit and bluesiness
reminiscent of her heroes, Nina Simone and Billie Holiday. "On & On"
and "Appletree," the first two songs on Baduizm, illustrated her talent
at singing soul with the qualities of jazz. With a nimble, melodic
voice owing little to R&B from the past 30 years, she phrased at
odds with the beat and often took chances with her notes. Like many in
the contemporary rap world, though, she also had considerable talents at
taking on different personas; "Otherside of the Game" is a poetic
lament from a soon-to-be single mother who just can't forget the father
of her child. Erykah Badu's revolution in sound -- heavier hip-hop beats
over organic, conscientious soul music -- was responsible for her
breakout, but many of the songs on Baduizm don't hold up to increased
examination. For every intriguing track like "Next Lifetime," there's at
least one rote R&B jam like "4 Leaf Clover." Jazz fans certainly
weren't confusing her with Cassandra Wilson -- Badu had a bewitching
voice, and she treasured her notes like the best jazz vocalists, but she
often made the same choices, the hallmark of a singer rooted in soul,
not jazz. Though many fans would dislike (and probably misinterpret) the
comparison, she's closer to Diana Ross playing Billie Holiday -- as she
did in the 1972 film Lady Sings the Blues -- than Holiday herself. by John Bush
1. Rim Shot (Intro) (Album Version)