Showing posts with label Marilyn Scott. Show all posts
Showing posts with label Marilyn Scott. Show all posts

Tuesday, April 2, 2024

MARILYN SCOTT — Without Warning! (1983-2012) SHM-CD | Serie My Generation, My Music - Back To The Rock Years | FLAC (tracks+.cue), lossless

Tracklist :
1. Only You (3:45)
2. First Time (3:17)
3. Where Is the Key (4:12)
4. You Can Do It (4:38)
5. Say Goodbye (4:31)
6. 10 X 10 (3:48)
7. If You Let Me Love You (4:19)
8. This Side of the Rainbow (4:40)
9. Hold On (3:31)
10. I'll Be Lovin' You (4:39)
Credits :
Arranged By [Horns] – Greg Adams
Backing Vocals – Cruz Sembello, Marilyn Scott, Michael Sembello, Pepper Watkins (tracks: 7), Sheree Brown (tracks: 7)
Bass – Dean Cortez, Don Barrett (tracks: 7), Michael Sembello, Nathan East
Bass [Yamaha Four & Eight String] – Jimmy Haslip
Drums – Art Rodriguez, John Robinson, Ricky Lawson
Electronic Drums [Linn Drums] – James Stroud (tracks: 7)
Guitar – Michael Sembello, Tom Fowle (tracks: 7)
Horns – Tower Of Power Horns
Horns [Tower Of Power Horns] – Emilio Castillo, Greg Adams, Marc Russo, Mic Gillette, Steve "Doc" Kupka
Keyboards, Synthesizer – Jimmy Haslip, Russell Ferrante
Keyboards, Synthesizer [Emulator, Programmer] – Chris Page
Keyboards, Synthesizer [Micro Composer, Programmer] – Ian Underwood
Keyboards, Synthesizer [Vocodor, Programmer] – Craig Harris
Percussion – Paulinho Da Costa
Piano, Synthesizer [Moog Bass] – Dan Sembello (tracks: 1)
Soloist, Guitar – Robben Ford (tracks: 3, 8)

Friday, October 27, 2023

MARILYN SCOTT – Avenues of Love (1998) FLAC (tracks+.cue), lossless

A top-notch adult contemporary vocalist still awaiting a well-deserved crossover commercial breakthrough, Marilyn Scott adds powerful fuel to her cause on Avenues of Love by helping herself with a well-balanced array of production and songwriting talent. George Duke surrounds her with party voices and a kneejerking Latin groove on a playful list of dance steps on "I Like to Dance," then surrounds her clear, sensuous voice with airy, billowing synth cushioning on the Bacharach-David classic "The Look of Love." Scott and bassist Jimmy Haslip reroute to Memphis on Michael Ruff's Wilson Pickett-like pick me up, "Love Is a Powerful Thing," engaging a two-piece horn section that sounds even larger. The Yellowjacket touch is in full effect on the picturesque "Avenida del Sol," which approximates an update of the gentle Astrud Gilberto sound; the tune was written by Scott and Bob Mintzer, and produced by Scott, Haslip, and Russell Ferrante. Scott's greatest gift here is her sense of modulation; she belts like crazy on the funk pieces, but recognizes the emotional power of restraint on the ballads. Jonathan Widran