RENEÉ OLSTEAD - Reneé Olstead (2004) FLAC (tracks+.cue), lossless

Back in 2002, producer David Foster oversaw the debut disc of a young jazz/pop singer named Michael Bublé. With his handsome looks and Sinatra-like voice, Bublé quickly saw his star begin to rise and the success of his disc kicked off a mini-revival of old standards and big band singers. Striking while the iron was hot, Foster fed the flame by introducing an even younger female counterpart to Bublé. Reneé Olstead was a 14-year-old actress mostly known for her co-starring role in the CBS television series Still Standing, but while acting has been her day job since childhood, Olstead has also dabbled in music. Unlike Bublé, who was studying classic songs at a young age with his grandfather, Olstead first latched onto traditional country music and at the age of ten and released Stone Country, which found her singing mediocre tunes in a hiccuped, down-home accent. Four years and a 180-degree turn later, Olstead discovers her inner ingénue with the assistance of Svengali Foster and released her major label debut of pop and jazz standards. The results have the same lovely, glossy sheen that Foster tweaked to perfection on Natalie Cole's Unforgettable album, and Olstead's newfound voice is a vast improvement from her faux twang days. With a voice that is reminiscent of Nicole Kidman's singing debut in Moulin Rouge, Olstead sounds more like a young, bubbly starlet than a newly discovered diva. There is no question that she has a pretty voice and is more than capable of performing undemanding standards like "Taking a Chance on Love," however, her voice lacks the depth and experience truly needed to tackle more difficult song like "Summertime" or "Sunday Kind of Love." In taking on Barry Manilow's "Meet Me, Midnight" she dives in with gusto but ends up barely treading water mid-song with a scat section that sounds uncomfortable and forced. Age is certainly a factor in making these songs sound convincing and, for the most part, Foster smartly chose songs that do not reach too far beyond her young years. This helps to make a song like "Someone to Watch Over Me" sound like a sweet, teenage fairy tale. On the other hand, the sensuality of Maria Muldaur's "Midnight at the Oasis" is far too mature for her to grasp at this time. She does much better on the Norah Jones-styled original "A Love That Lasts" as the song's quiet demeanor compliments Olstead's vocals, making her sound comfortable and natural. It is going to take more time and experience for her to sound as convincing on songs like "Is You Is or Is You Ain't My Baby," but Foster has given her a great crash course and that helps to make her debut disc a pleasant listen. Reneé Olstead has a solid foundation from which to work and if she can continue building up from there, she just might have to set aside her acting career for a while. by Aaron Latham  
Tracklist :
1    Summertime 4
Organ – Jochem van der Saag
Written-By – Dorothy Heyward, DuBose Heyward, George Gershwin, Ira Gershwin
2        Taking A Chance On Love
Trumpet [Solo] – Rick Baptist
Written-By – John Latouche, Ted Fetter, Vernon Duke
3        Is You Is Or Is You Ain't My Baby
Saxophone [Alto And Tenor] – Don Shelton
Trumpet – Warren Luening
Written-By – Billy Austin, Louis Jordan
4        Someone To Watch Over Me
Trumpet, Featuring – Chris Botti
Written-By – George and Ira Gershwin
5        Breaking Up Is Hard To Do
Vocals – Peter Cincotti
Written-By – Howard Greenfield, Neil Sedaka
6        A Love That Will Last
Lyrics By – Linda Thompson
Music By – David Foster
7        Meet Me, Midnight
Written-By – Barry Manilow, Bruce Sussman
8        Sunday Kind Of Love
Trumpet, Featuring – Chris Botti
Written-By – Leonard Nye, Barbara Belle, Louis Prima, Wayne Rhodes
9        On A Slow Boat To China
Written-By – Frank Loesser
10        What A Difference A Day Makes
Written-By – Maria Grever, Stanley Adams
11        Midnight At The Oasis
Written-By – David Nichtern
12        Sentimental Journey
Clarinet – Don Shelton
Trumpet – Warren Luening
Written-By – Benjamin Homer, Bud Green, Les Brown 

RENEÉ OLSTEAD - Skylark (2009) APE (image+.cue), lossless

Much like her self-titled debut from 2004, the second album by television actress and jazz-pop singer Renee Olstead finds the flame-haired teenager working with producer and arranger David Foster on a track list consisting mostly of standards from the Great American Songbook. A more than adequate singer with a surprising depth for such a young age (just 17 when this album was recorded), Olstead shines on classics like "Stars Fell On Alabama" and "Lover Man." by Charity Stafford
Tracklist :
1    Midnight Man 3:01
Arranged By [Horns] – Don Sebesky
Backing Vocals – Angela Fisher, Lauren Evans, Quiana Parler
Bass – Nathan East
Blues Harp [Blues Harmonica], Organ, Programmed By, Sound Designer – Jochem van der Saag
Drums – Vinnie Colaiuta
Guitar – Bob Mann, Dean Parks
Keyboards – David Foster
Percussion – Rafael Padilla
Written-By – David Foster, Leah Felder
2    Lover Man 5:02
Arranged By [Strings] – William Ross
Bass – Brian Bromberg
Drums – Vinnie Colaiuta
Guitar – Bob Mann
Keyboards – Chris Dawson
Saxophone – Dan Higgins
Written-By – James Davis, James Sherman*, Roger Ramirez
3    Stars Fell On Alabama 3:15
Arranged By [Strings] – Chris Boardman
Bass – Brian Bromberg
Drums – Frank Capp
Guitar – Bob Mann
Piano – Chris Dawson
Saxophone – Dan Higgins
Written-By – Frank Perkins, Mitchell Parish
4    My Baby Just Cares For Me 3:03
Arranged By [Horns] – Don Sebesky
Backing Vocals – Angela Fisher, Lauren Evans, Quiana Parler
Bass – Dominic Thiroux
Drums – Vinnie Colaiuta
Guitar – Bob Mann, Dean Parks
Piano – David Foster
Written-By – Gus Kahn, Walter Donaldson
5    When I Fall In Love 4:43
Arranged By [Strings] – William Ross
Bass – Brian Bromberg
Drums – Joe LaBarbera
Featuring, Trumpet – Chris Botti
Guitar – Dean Parks
Piano – Chris Dawson
Written-By – Edward Heyman, Victor Young
6    Thanks For The Boogie Ride 3:01
Arranged By – John Clayton
Performer – The Clayton Hamilton Orchestra
Written-By – Ronald Buck, Sidney Mitchell
7    Hold Me Now 4:02
Arranged By [Strings] – Jeremy Lubbock
Bass – Nathan East
Drums – Vinnie Colaiuta
Guitar – Dean Parks
Keyboards – David Foster
Keyboards [Additional Keys], Programmed By, Sound Designer – Jochem van der Saag
Percussion – Rafael Padilla
Written-By – David Foster, Renee Olstead
8    Skylark 4:12
Arranged By [Strings] – Chris Boardman
Bass – Brian Bromberg
Drums – Vinnie Colaiuta
Guitar – Dean Parks
Keyboards – David Foster
Programmed By, Sound Designer – Jochem van der Saag
Written-By – Hoagy Carmichael, John Mercer
9    Midnight In Austin Texas 3:26
Arranged By [Horns] – Don Sebesky
Bass – Nathan East
Drums – Vinnie Colaiuta
Guest [Special Guest], Guitar – Robert Randolph
Keyboards – David Foster
Organ, Programmed By, Sound Designer – Jochem van der Saag
Written-By – David Foster, Renee Olstead
10    Hit The Road Jack 3:23
Arranged By [Horns] – Rob Matthis
Backing Vocals – Angela Fisher, Ester Austin, Nita Hutton
Bass – John Crooks, Kenneth Wild
Drums – Joe LaBarbera, Vinnie Colaiuta
Guitar – Dean Parks
Piano – Chris Dawson, Tamir Hendelman
Written-By – Percy Mayfield
11    You've Changed 3:28
Arranged By [Strings] – Patrick Williams
Bass – John Crooks
Drums – Joe LaBarbera
Guitar – Dean Parks
Piano – Chris Dawson
Written-By – Bill Carey, Carl Fischer
12    Ain't We Got Fun 2:46
Arranged By – Brad Dechter
Backing Vocals – Richard Page
Bass – Brian Bromberg
Contractor – Gina Zimmitti
Drums – Vinnie Colaiuta
Guitar – Dean Parks
Piano – Randy Waldman
Programmed By, Sound Designer – Jochem van der Saag
Recorded By, Mixed By – David Reitzas
Written-By – Gus Kahn, Raymond Egan, Richard Whiting
13    Nothing But The Blame 4:11
Arranged By [Strings] – Chris Walden
Bass – Nathan East
Drums – Vinnie Colaiuta
Guitar – Dean Parks
Keyboards – David Foster
Keyboards [Additional Keys], Programmed By, Sound Designer – Jochem van der Saag
Percussion – Rafael Padilla
Written-By – David Foster, Renee Olstead