Following her split with husband and creative partner Louis Prima,
vocalist Keely Smith signed with Frank Sinatra's Reprise Records for a
series of finely curated and well-received albums designed to showcase
her voice and relaunch her career. The first of these, 1963's Little
Girl Blue/Little Girl New, featured arrangements by Sinatra's longtime
collaborator, the illustrious Nelson Riddle, and was conceptualized in
two parts with Side A, "Little Girl Blue," featuring ballads and Side B,
"Little Girl New," focusing on more upbeat numbers. The result was a
tour de force of an album that presented Smith as the solo star she
deserved to be -- and which Sinatra had known she could be for many
years prior. Thankfully, as per all of Sinatra's Reprise contracts, the
artists kept the rights to the master recordings, which is where they
remained until Smith struck her own deal with Real Gone Music for a
series of reissues, including this 2017 expanded edition of Little Girl
Blue/Little Girl New. Though she had recorded solo albums for Dot during
her years with Prima, she had been somewhat overshadowed by the
kitschy, flamboyant tone (and Grammy-winning success) of their
performances, which often found her playing the cheeky straight man to
her trumpeter husband's swing-era clown. Afforded far greater freedom on
Sinatra's label, she was presented on Little Girl Blue/Little Girl New
as an urbanely sophisticated hipster and a clarion diva in the mold of
such similarly inclined contemporaries as June Christy, Anita O'Day, and
Kay Starr. Cuts like her yearning take on "Here's That Rainy Day" and
her languorously sensual reading of "I'll Never Be the Same Again"
reveal her as a mature and knowing performer in contrast to the lighter,
more comedic tone of her work with Prima. That said, she can still
knock 'em dead as she does on the latter half of the album, her highly
resonant voice slicing through uptempo swinger's like "I'm Gonna Live
'til I Die" and "I've Got a Lot of Livin' to Do." Ultimately, listening
to Smith and her pointed yet dusky, golden-toned voice pouring out of
Riddle's shimmering, sky-blue arrangements, one can easily see why
Sinatra jumped at the chance to work with her. by Matt Collar
Tracklist
Little Girl Blue
1 Little Girl Blue 3:56
Lorenz Hart / Richard Rodgers
2 Here's That Rainy Day 3:20
Johnny Burke / James Van Heusen
3 Gone With the Wind 3:13
Herbert Magidson / Allie Wrubel
4 Willow Weep for Me 3:51
Ann Ronell
5 I'll Never Be the Same 3:09
Gus Kahn / Matty Malneck
6 Guess I'll Hang My Tears Out to Dry 2:57
Gus Kahn / Jule Styne
Little Girl New
7 I'm Gonna Live Till I Die 2:16
Al Hoffman / Walter Kent
8 It's Good to Be Alive 2:38
Bob Merrill
9 A Lot of Livin' to Do 2:15
Lee Adams / Charles Strouse
10 Once in a Lifetime 2:44
Leslie Bricusse / Anthony Newley
11 New Sun in the Sky 1:43
Howard Dietz / Arthur Schwartz
12 Blue Skies 2:27
Irving Berlin
- BONUS TRACKS -
13 Going Through the Motions 3:00
Bob Brass / Al Kooper / Al Levine / Irwin Levine
Arranged By, Producer – Don Costa
14 When You Cry 3:06
Ray Allen / Wandra Merrell
Arranged By, Producer – Don Costa
Credits
Vocals – Keely Smith
Arranged By, Conductor – Nelson Riddle