HOLLY COLE — Holly (2018) FLAC (tracks+.cue), lossless

This a great album from Holly Cole. An astute choice of classic and optimistic songs, arranged in a gentle, swinging style. Cole inhabits these songs beautifully, and I'm sure they will inhabit my listening space for years to come.
Tracklist :
1    I'm Beginning To See The Light 3:00
Bass – Ben Street
Drums – Justin Faulkner
Guitar – Ed Cherry
Piano – Larry Goldings
Trombone – Wycliffe Gordon
Written-By – Don George, Duke Ellington, Harry James, Johnny Hodges
2    Your Mind Is On Vacation 3:22
Arranged By – Holly Cole
Bass, Arranged By – David Piltch
Drums, Arranged By – Davide Direnzo
Piano, Arranged By – Aaron Davis
Written-By – Mose Allison
3    I Was Doing Alright 2:55
Bass – Ben Street
Drums – Justin Faulkner
Guitar – Ed Cherry
Piano – Larry Goldings
Tenor Saxophone – Scott Robinson
Trombone – Wycliffe Gordon
Written-By – George Gershwin/Ira Gershwin
4    It Could Happen To You 3:39
Piano – Larry Goldings
Written-By – James van Heusen, Johnny Burke
5    Ain't That A Kick In The Head 3:13
Arranged By – Holly Cole
Bass, Arranged By – David Piltch
Drums, Arranged By – Davide Direnzo
Flute, Arranged By – John Johnson
Piano, Arranged By – Aaron Davis
Written-By – Sammy Cahn/Jimmy van Heusen
6    Teach Me Tonight 4:17
Bass – Ben Street
Drums – Justin Faulkner
Organ – Larry Goldings
Written-By – Gene DePaul, Sammy Kahn
7    We've Got A World That Swings 2:46
Bass – Ben Street
Drums – Justin Faulkner
Guitar – Ed Cherry
Piano – Larry Goldings
Tenor Saxophone, Cornet – Scott Robinson
Written-By – Lil Mattis, Louis Yule Brown
8    They Can't Take That Away From Me 3:40
Bass – Ben Street
Drums – Justin Faulkner
Guitar – Ed Cherry
Piano – Larry Goldings
Tenor Saxophone – Scott Robinson
Written-By – George Gershwin/ira Gershwin
9    Everybody Loves Somebody Sometime 4:21
Arranged By – Holly Cole
Bass, Arranged By – David Piltch
Piano, Arranged By – Aaron Davis
Written-By – Irving Taylor, Ken Lane
10    I Could Write A Book 3:20
Bass – Ben Street
Drums – Justin Faulkner
Guitar – Ed Cherry
Piano – Larry Goldings
Trombone – Wycliffe Gordon
Written-By – Lorenz Hart/Richard Rodgers
11    Lazy Afternoon 5:02
Drums – Justin Faulkner
Guitar – Ed Cherry
Organ – Larry Goldings
Written-By – Jerome Moross, John Latouche
Credits :
Arranged By – Larry Goldings (tracks: 1, 3, 4, 6 to 8, 10, 11)
Lead Vocals – Holly Cole

HOLLY COLE TRIO - Girl Talk (1990) FLAC (image+.cue), lossless

Girl Talk was recorded live to two-track using a single microphone. The liner notes state that Holly Cole's intention in doing so was to preserve the "quintessence of her live performances," and the result is dazzlingly successful. The air of intimacy between artist and listener is so great that, if anything, the feeling of being present in the moment is greater here than on the 1996 live album It Happened One Night. On an album recorded "live in concert," the ambient noises that occur when a large number of people are gathered in one place can seem discordant or inappropriate when you're listening to the CD in your car or your living room; the atmosphere can exclude rather than include you. Put on this disc, however, and you can imagine that Holly Cole is singing for you alone. It's easy to focus on Cole's emotionally compelling delivery, and at first you can be so mesmerized that you forget that the vocalist is one part of a trio. Listen more carefully, and it becomes apparent that the piano and bass accompaniments are deceptively simple -- that they are, in fact, providing a counterpoint to the sung lyrics that is almost conversational. Suddenly, these simple arrangements feel quite complex. The most entertaining song on the album may well be Cole's interpretation of the traditionally sunny and euphoric "Downtown." In her expert hands it moves from near cynicism to a guarded openness that makes this standard seem to have a range of meaning you may never have considered. by Maya Geryk  
Tracklist :
1     My Foolish Heart 4:34
Ned Washington / Victor Young
2     Girl Talk 4:32
Neal Hefti / Bobby Troup
3     Talk to Me Baby 4:33
Robert Emmett Dolan / Johnny Mercer
4     Cruisin' 4:40
Saxophone – John Johnson
5     Spring Can Really Hang You up the Most 4:40    
6     My Baby Just Cares for Me 4:25
Walter Donaldson / Gus Kahn
7     How Long Has This Been Going On? 5:55
George Gershwin / Ira Gershwin
8     I'm So Lonesome I Could Cry 4:24
Hank Williams
Trumpet – John MacLeod
9     Melancholy Baby 5:03
10     Downtown 3:55
T. Hatch
Credits :
Double Bass [String Bass], Arranged By – David Piltch
Piano, Arranged By – Aaron Davis
Vocals, Arranged By – Holly Cole

HOLLY COLE TRIO - Blame It on My Youth (1991) FLAC (image+.cue), lossless

Holly Cole's debut recording is a delight. Although she infuses a variety of standards with sensuality (including "If I Were a Bell," "On the Street Where You Live," "Honeysuckle Rose" and "I'll Be Seeing You"), she is also clearly laughing at her image at the same time. Joined by pianist Aaron Davis and bassist David Piltch with guest appearances by violinist Johnny Frigo (on two songs) and bass clarinetist Robert Stevenson (for one), Cole's interpretations of the mostly veteran material are both haunting and ironic, making this a memorable and surprisingly original outing. by Scott Yanow
Tracklist :
1     Trust in Me 3:23
Richard M. Sherman / Robert B. Sherman
2     I'm Gonna Laugh You Right Out of My Life 2:37
Cy Coleman / Joseph McCarthy
3     If I Were a Bell 2:17
Frank Loesser
4     Smile 4:13
Charlie Chaplin / Geoffrey Parsons / John Turner
5     Purple Avenue 3:57
Tom Waits
6     Calling You 4:38
Bruce Gaitsch / Richard Marx / Bob Telson / Hank Williams
7     God Will 3:11
Lyle Lovett
8     On the Street Where You Live 5:33
Alan Jay Lerner / Frederick Loewe
9     Honeysuckle Rose 2:20
Andy Razaf / Fats Waller
10     I'll Be Seeing You 5:54
Sammy Fain / Irving Kahal
Credits :
Arranged By – Aaron Davis, David Piltch, Holly Cole
Bass Clarinet – Robert W. Stevenson (faixas: 8)
Double Bass – David Piltch
Piano – Aaron Davis
Violin – Johnny Frigo (faixas: 3, 9)
Voice – Holly Cole

HOLLY COLE TRIO - Don't Smoke in Bed (1993) FLAC (image+.cue), lossless

Holly Cole explores a number of styles on her second album, Don't Smoke in Bed, without overreaching her grasp. Adding pop, blues, country, and a French ballad to her standard, low-key jazz, Cole demonstrates that not only does she have impeccable taste, but she has the talent to make all of the material sound convincing. by Stephen Thomas Erlewine
Tracklist :
1     I Can See Clearly Now 4:12
Johnny Nash
2     Don't Let the Teardrops Rust Your Shining Heart 4:19
Ben Watt
3     Get Out of Town 4:42
Cole Porter
4     So and So 3:27
Mary Margaret O'Hara
5     Tennessee Waltz 3:40
Pee Wee King / Redd Stewart
6     Everyday Will Be Like a Holiday 4:49
William Bell / Booker T. Jones
7     Blame It on My Youth 3:00
Edward Heyman / Oscar Levant
8     Ev'rything I've Got 2:55
Lorenz Hart / Richard Rodgers
9     Je Ne T'Aime Pas 3:57
Kurt Weill
10     Cry (If You Want To) 2:36
Casey Scott
11     Que Sera, Sera (Whatever Will Be, Will Be) 4:43
Ray Evans / Jay Livingston
12     Don't Smoke in Bed 2:26
Willard Robison
Credits :
Arranged By – Aaron Davis, David Piltch, Holly Cole
Bass, Percussion – David Piltch
Conductor [Strings] – Glenn Morley
Harmonica – Howard Levy (faixas: 3, 5, 11)
Piano – Aaron Davis
Strings – Atis Bankas, Brian Epperson, Carol Fujino, Charles Elliot, Christopher Redfield, Joel Quarrington, Katherine Palyga, Marc Sabat, Mark Skazinetsky, Martin Loomer, Mary Carol Nugent, Mihai Tetel, Nicole Zarry, Paul Meyer, Simon Fryer, Susan Lipchak, Young Dae Park
Vocals – Holly Cole

HOLLY COLE TRIO - It Happened One Night (1996) FLAC (tracks+.cue), lossless

It Happened One Night is a nice overview of Holly Cole and her band doing their night club act live. Containing such Cole standards as "Cry (If You Want To)" and "Que Sera Sera," this disc has all the charm of a late-night club date without the smoky atmosphere or the drunks to detract you from the pleasures of listening. Recorded on a one-night stand in Montreal, Cole and her band work their charms well indeed. by James Chrispell
Tracklist :
1     Get Out of Town 5:15
Cole Porter
2     Cry (If You Want To) 3:15
Casey Scott
3     Train Song 3:31
Tom Waits
4     Losing My Mind 5:48
Stephen Sondheim
5     Tango 'Til They're Sore 5:00
Tom Waits
6     Don't Let the Teardrops Rust Your Shining Heart 5:01
Ben Watt
7     Que Sera, Sera (Whatever Will Be, Will Be) 5:43
Ray Evans / Jay Livingston
8     Calling You 5:29
Bob Telson
Credits :
Acoustic Bass – David Piltch
Drums, Percussion – Dougie Bowne
Guitar – Kevin Breit
Piano – Aaron Davis
Vocals – Holly Cole

HOLLY COLE - Temptation (1995) FLAC (tracks+.cue), lossless

On her third American album, Holly Cole turned in a set of Tom Waits songs recorded with an augmented version of her trio; in addition to piano and bass, there are drums and guitar, as well as the occasional contribution from The Canadian Brass and harmonica player Howard Levy. The result puts a welcome twist on the songs, which include numbers from each stage of Waits's career, and reasserts Cole's talent as an interpreter. by Stephen Thomas Erlewine
Tracklist :
1    Take Me Home    2:24
2    Train Song 3:28
Percussion – Cyro Baptista
3    Jersey Girl    3:45
4    Temptation 3:08
Backing Vocals – Rhoda Dog
5    Falling Down 5:17
Harmonica – Howard Levy
6    Invitation To The Blues    4:24
7    Cinny's Waltz    2:34
8    Frank's Theme    3:14
9    Little Boy Blue 2:59
Alto Saxophone – Phil Dwyer
Baritone Saxophone – Earl Seymour
Tenor Saxophone – Perry White
10    I Don't Wanna Grow Up    4:34
11    Tango Til They're Sore 4:35
Percussion – Cyro Baptista
12    (Looking For) The Heart Of Saturday Night 3:47
Acoustic Guitar – Rob Piltch
Guitar – Kevin Breit
Harmonica – Howard Levy
Percussion – Cyro Baptista
13    Soldiers Things 3:26
Harmonica – Howard Levy
Percussion – Cyro Baptista
14    I Want You 3:01
Cello – Anne Bourne
Viola – Douglas Perry
Violin – Anne Lederman
15    Good Old World    1:37
16    The Briar And The Rose 5:19
Horns – The Canadian Brass
Credits :
Bass, Percussion – David Piltch
Drums – Dougie Browne
Piano – Aaron Davis
Vocals – Holly Cole
Written-By – Tom Waits

HOLLY COLE - Dark Dear Heart (1997) FLAC (tracks+.cue), lossless

Although a few songs on Dark Dear Heart are ill-suited for Holly Cole's style -- nothing Sheryl Crow has written could translate to a cocktail jazz setting -- the album remains another solid entry in her catalog, illustrating that she is one of the best interpretative singers of the '90s. by Leo Stanley
Tracklist :
1        I've Just Seen A Face 3:28
Drums, Programmed By – Helik Hadar, Iki Levy
Guitar [Guitars] – Dean Parks
Written-By – Lennon-McCartney
2    Make It Go Away 4:00
Electric Piano [Wurlitzer Piano] – Jim Cox
Written-By – Davis, Harding
3    Onion Girl 4:05
Electric Guitar, 6-String Bass – Dean Parks
Electric Guitar, Acoustic Guitar, Bouzouki [Bazouki] – Kevin Breit
Tambourine – Mark Kelso
Written-By – Hull, Harding
4    Dark, Dear Heart 4:00
Written-By – O'Hara
5    You Want More 4:32
Backing Vocals [Background Vocals] – Alex Brown, Mona Lisa Young
Electric Guitar – Dean Parks, Greg Leisz
Electric Guitar, Acoustic Guitar – Kevin Breit
Electric Piano [Wurlitzer Piano] – Aaron Davis
Tambourine – Mark Kelso
Written-By – Trott, Crow
6    Timbuktu 3:50
Arranged By [Orchestral Arrangement By] – Aaron Davis
Electric Guitar – Kevin Breit
Soprano Saxophone – Steve Tavaglione
Written-By – Davis, Jordan
7    World Seems To Come And Go 5:16
Backing Vocals [Background Vocals] – Alex Brown, Mona Lisa Young
Edited By [Digital Editing] – Helik Hadar
Guitar [Raga Guitar] – Dean Parks
Guitar, Mandolin – David Piltch
Programmed By, Loops – Iki Levy
Recorded By [Additional Recording By] – Bruno Mambella, David Piltch
Written-By – Piltch, White
8    River 4:44
Bass – George Koller
Soprano Saxophone – Steve Tavaglione
Vocals – Mark Kelso
Written-By – Mitchell
9    Hold On 4:33
Electric Piano [Fender Rhodes] – Aaron Davis
Guitar [Guitars] – Kevin Breit
Programmed By – Iki Levy
Written-By – Batteau, Cody, Klein
10    Brighter Lonely Day (Run, Run, Run) 4:53
Autoharp – Kevin Breit
Written-By – O'Hara
11    I Told Him That My Dog Wouldn't Run 4:21
Banjo, Acoustic Guitar, Bouzouki [Bazouki] – Kevin Breit
Written-By – Larkin
12    All The Pretty Little Horses 4:29
Bass – George Koller
Guitar, Loops – Kevin Breit
Organ – Larry Klein
Trumpet – Jon Hassell
Créditos
Backing Vocals [Background Vocals] – Holly Cole (faixas: 1, 3, 7, 9)
Bass – David Piltch (faixas: 1 to 7, 9 to 11)
Drums – Mark Kelso (faixas: 2 to 12)
Guitar [Guitars] – Kevin Breit (faixas: 2, 4, 7, 9)
Organ [Hammond B-3] – Aaron Davis (faixas: 2, 4, 5, 7), Jim Cox (faixas: 1, 3, 9, 11)
Pedal Steel Guitar – Greg Leisz (faixas: 2, 5, 7 to 9)
Piano – Aaron Davis (faixas: 3, 4, 6 to 8, 10 to 12)
Vocals – Holly Cole

HOLLY COLE - Romantically Helpless (2000) FLAC (tracks+.cue), lossless

Tracklist :
1    One Trick Pony 4:41
Written-By – Paul Simon
2    Romantically Helpless 3:31
Piano – Mark Ferguson
Written-By – David Piltch
3    I'll Be Here 4:34
Other [Native Groove] – Mark Kelso
Written-By – David Baerwald
Written-By, Other [Native Groove] – David Piltch
4    Ghosts 2:11
Written-By – Randy Newman
5    Come Fly With Me 3:53
Theremin – Aaron Davis
Written-By – James Van Heusen, Sammy Cahn
6    Dedicated To The One I Love 2:53
Piano [Prepared Piano] – Aaron Davis
Written-By – Lowman Pauling, Ralph Bass
7    That Old Black Magic 3:27
Other [2nd Line Groover] – Luc Boivin, Mark Kelso, Steve Ferrera
Written-By – Harold Arlen, John H. Mercer
8    If I Start To Cry 4:01
Electric Piano [Fender Rhodes] – Aaron Davis
Written-By – Jeff Hull, Laura Harding
9    Loving You 3:00
Written-By – Stephen Sondheim
10    Make It Go Away 3:58
Written-By – Aaron Davis, Laura Harding
11    Don't Fence Me In 3:16
Written-By – Cole Porter
12    Same Girl 3:30
Written-By – Randy Newman
Credits :
Acoustic Bass – David Piltch (faixas: 2, 3, 6, 7), George Koller (faixas: 1, 6, 9, 11, 12)
Acoustic Guitar – David Gray (4) (faixas: 5, 8), Kevin Breit (faixas: 1, 8, 10)
Backing Vocals – Holly Cole (faixas: 2, 8, 10), Mark Kelso (faixas: 2, 8, 10), Tory Cassis (faixas: 1, 2, 8, 10)
Dobro – Kevin Breit (faixas: 1, 12)
Drums – Mark Kelso (faixas: 1 to 3, 5 to 11)
Electric Bass – George Koller (faixas: 2, 8, 10)
Electric Guitar – David Gray (faixas: 8, 10), Gerry Leonard (faixas: 8, 10), Kevin Breit (faixas: 5, 8)
Guitar – David Gray (faixas: 2, 3, 6), Kevin Breit (faixas: 4, 7, 11), Kim Ratcliffe (faixas: 9)
Lead Vocals – Holly Cole
Organ – Aaron Davis (faixas: 1, 3, 5, 6, 8, 10, 11)
Percussion – Luc Boivin (faixas: 2, 3, 6 to 8, 10)
Piano – Aaron Davis (faixas: 1, 5, 7, 9, 11, 12)
Synthesizer – Aaron Davis (faixas: 2, 4)
Trombone – Mark Ferguson (faixas: 2, 7)

HOLLY COLE - Baby, It's Cold Outside (2001) FLAC (image+.cue), lossless

Canadian jazz vocalist Holly Cole is no stranger to Christmas albums. This 2001 offering is her third full-length holiday release, and, as on the previous albums, the gems here are plenteous. Few vocalists would attempt to cover the Vince Guaraldi classic "Christmastime is Here," but Cole's version honors the original by not being too showy or Broadway-ish. The other standout is "Never, No," previously done by fellow Canadian singer Mary Margaret O'Hara. Hole's understated approach is appropriate and charming. by AllMusic
Tracklist :
1    Christmas Time Is Here 3:01
Cymbal – Brian Barlow
Written-By – L. Mendelson, V. Guaraldi
2    Baby It's Cold Outside 4:07
Flute [Alto] – Johnny Johnson
Voice – Ed Robertson
Written-By – F. Loesser
3    The Christmas Song 5:07
Chimes – Brian Barlow
Soprano Saxophone – Johnny Johnson
Written-By – M. Torme, R. Wells
4    Santa Baby 4:00
Written-By – J.E. Javits, P. Springer, A.F. Springer
5    I'll Be Home For Christmas 3:08
Written-By – K. Gannon, W. Kent
6    'Zat You Santa Claus 3:22
Written-By – J. Fox
7    If We Make It Through December 3:42
Flugelhorn – Guido Basso
Written-By – M. Haggard
8    Christmas Is 2:40
Written-By – P. Faith, M. Spence
9    Wildwood Carol 2:54
Written-By – D.R. Grant, J.M. Rutter
10    Sleigh Ride 2:37
Written-By – L. Anderson, J.M. Parish
11    What Is This Lovely Fragrance? 4:22
Arranged By – Holly Cole
Percussion – Brian Barlow
Percussion [Bass Percussion] – David Piltch
Shaker – Holly Cole
Snare – Mark Kelso
Written-By – Traditional
12    Never No 2:13
Written-By – M. M. O'Hara
13    What About Me 1:42
Celesta [Celeste] – Aaron Davis
Shaker – Holly Cole
Written-By – A. Davis
All Credits

HOLLY COLE - Shade (2003) FLAC (image+.cue), lossless

Whatever reason that stalled the ascent of Canadian vocalist Holly Cole to the pinnacle of the jazz/pop pantheon inhabited by Diana Krall and Norah Jones wasn't caused by a lack of talent. Cole is a far better vocalist than either of them; as a stylist and an interpreter, Cole's readings of Cole Porter, Rodgers & Hart, Oscar Hammerstein, Lerner & Loewe, Johnny Mercer, Brian Wilson, Irving Berlin, Tom Waits, and so forth are intensely original, full of emotion, suave sophistication, and an expression that lends the songs themselves timeless. In Cole's voice, no matter how old the song, it comes to the listener as a fresh bouquet of nuance, style, and sassy grace. As a result, unlike the aforementioned duo, Cole's recordings come off as honest, free of artifice or the sheen of authenticity; her covers of standards are not retro redos, but authentic interpretations. Fans of cocktail jazz and jazz atmosphere -- but not jazz -- may bristle, but to hell with them; they probably believe TV commercials too. Shade is her first studio effort in three years and is, like its predecessor, Romantically Helpless, criminally unavailable in America. For starters, Shade, an album of summer-themed and amorously warm songs, boasts a host of standards, including a stunning read of the June Christy vehicle "Something Cool," by William Barnes. Accompanied only by David Piltch's bass and the gorgeously understated pianism of Aaron Davis, Cole sweeps away the 1950s baggage that usually accompanies the tune and reads it through the Waits of Foreign Affairs vintage. The phrasing bleeds slightly, from one line to the next, slipping beneath the melody and shimmers above it, all the while with a casual and rakish elegance. Likewise on Porter's "Too Darn Hot," Cole uses a staggered faux calypso rhythm, adding drummer Mark Kelso and a three-piece horn section to the mix. Still the feel is restrained, holding back enough to create a tension that belies just how warm the weather is with great regret -- because the protagonist is cool enough to know she longs to make the atmosphere with her lover even hotter ("I'd like to sup with my baby tonight/fill the cup with my baby tonight"). Referencing the Kinsey report never sounded so erotically charged. Perhaps the most stunning track on the album is one that deserves to be a pop standard covered by every singer with her salt. Cole's read of Wilson's "God Only Knows" is a glistening jewel. As the melody states itself impressionistically, she slides between the piano, an acoustic guitar, and a just-behind-the-beat set of loped brushes to let the words drip then float from her mouth in both reflection and affirmation, as if she were whispering aloud a letter she were writing in quiet desperation. When she shifts register for the subtly delicious slide guitar break, the tune slowly cracks wide open and the singer pours her heart, with pure devotion into the end of each line. Accompanied only by Davis, "We Kiss in a Shadow" is a forbidden lover's delight, sung with a yearning that belies the song's dark origins. Cole delivers the song as a prayer for the future when all the veils will be lifted as Davis plays in the upper middle register as if he is playng a hypnotic nursery rhyme. But the album goes on to underline these themes and become a work of great longing, filled with both regret and hope. Regretful reveries and admonitions to continue in spite of the odds are underscored by a loneliness that takes pleasure in want itself. Cole's voice is expressive in the poetic of ways: she allows the song to dictate to her its meaning before she delivers it into a microphone. Check the amazing read of Rodgers & Hart's "It Never Entered My Mind," with its stunning bass solo and modern arrangement. Here is the absent conversation with an even more absent lover: "You have what I lack myself/I even have to scratch my back myself." Ultimately, Shade is a sensual masterpiece that follows 2000's Romantically Helpless with even more boldness, good humor, dynamic empathy, and emotional sensitivity, in respect to its material. Never has the summer sounded so steamy, lush, and full of love and danger as it does on Shade. by Thom Jurek 
Tracklist:

1 Heatwave 3:42
Bass – George Koller
Drums, Bongos, Percussion – Mark Kelso
Flute, Alto Saxophone, Tenor Saxophone – Johnny Johnson
Piano – Aaron Davis
Tenor Trombone, Bass Trombone – Terry Promane
Trumpet – Guido Basso
Voice [All Voices] – Holly Cole
Written-By – Irving Berlin
2 Something Cool 4:00
Bass – David Piltch
Piano – Aaron Davis
Voice – Holly Cole
Written-By – William C. Barnes
3 Too Darn Hot 3:15
Bass – George Koller
Bass Clarinet, Alto Saxophone, Tenor Saxophone – Johnny Johnson
Drums – Mark Kelso
Flugelhorn – Guido Basso
Piano – Aaron Davis
Tenor Trombone, Bass Trombone – Terry Promane
Voice [Voices], Xylophone – Holly Cole
Written-By – Cole Porter
4 God Only Knows 4:29
Alto Saxophone, Tenor Saxophone – Johnny Johnson
Bass – George Koller
Drums – Mark Kelso
Flugelhorn – Guido Basso
Guitar [All Guitars], Loops – Kevin Breit
Piano – Aaron Davis
Tenor Trombone, Bass Trombone – Terry Promane
Voice [All Voices] – Holly Cole
Written-By – B. Wilson, T. Asher
5 A Cottage For Sale 3:45
Bass – David Piltch
Bass Trombone – Terry Promane
Clarinet, Tenor Saxophone – Johnny Johnson
Music By – Willard Robison
Organ – Dylan Heming
Piano – Aaron Davis
Trumpet – Guido Basso
Voice [Voices] – Holly Cole
Words By – Larry Conley
6 We Kiss In A Shadow 2:28
Music By – Richard Rodgers
Piano – Aaron Davis
Voice – Holly Cole
Words By – Oscar Hammerstein II
7 It Never Entered My Mind 4:28
Bass – George Koller
Drums – Mark Kelso
Guitar [National], Mandolin [National], Acoustic Guitar – Kevin Breit
Music By – Richard Rodgers
Piano – Aaron Davis
Voice – Holly Cole
Words By – Lorenz Hart
8 Manhattan 4:00
Bass – George Koller
Drums – Mark Kelso
Music By – Richard Rodgers
Piano – Aaron Davis
Voice [All Voices], Xylophone, Glockenspiel – Holly Cole
Words By – Lorenz Hart
9 Moonglow 4:23
Bass – George Koller
Drums – Mark Kelso
Music By – Will Hudson
Piano – Aaron Davis
Voice [Voices] – Holly Cole
Words By – Eddie De Lange, Irving Mills
10 Almost Like Being In Love 4:05
Bass – David Piltch
Bongos – Davide Direnzo
Music By – Frederick Loewe
Piano – Aaron Davis
Tenor Trombone, Bass Trombone – Terry Promane
Voice – Holly Cole
Written-By – Alan Jay Lerner
11 The Midnight Sun 5:16
Bass – George Koller
Drums – Mark Kelso
Flugelhorn – Guido Basso
Flute – Johnny Johnson
Music By – Lionel Hampton, Sonny Burke
Piano – Aaron Davis
Voice – Holly Cole
Words By – Johnny Mercer
12 Lazy Afternoon 3:07
Bass – David Piltch
Music By – Jerome Moross
Piano – Aaron Davis
Voice – Holly Cole
Words By – John Latouche
Credits:
Arranged By [Song Arrangements By] – Aaron Davis, David Piltch, George Koller, Holly Cole, Mark Kelso
Arranged By [String And Horn Arrangements By] – Aaron Davis
Arranged By [Vocal Arrangements By] – Holly Cole
Viola – Daniel Blackman (tracks: 2, 3, 11), Douglas Perry (tracks: 2, 3, 11), Nick Papadakis (tracks: 2, 3, 11)
Violin – Adele Armin (tracks: 2, 3, 11), Annalee Patipatanakoon (tracks: 2, 3, 11), Carol Fujino (tracks: 2, 3, 11), Fujiko Imajishi (tracks: 2, 3, 11)