LUCILLE BOGAN (BESSIE JACKSON) - 1934-1935 Complete Recordings, Vol. 3 (1994-1935) FLAC (tracks), lossless

The third and final volume of Lucille Bogan's complete works as presented by Document in 1994 allows the listener to savor 23 recordings made between July 1934 and March 1935, with pianist Walter Roland, and guitarists Bob Campbell and Josh White. It was during this period that Bogan chose to record under the name of Bessie Jackson. "You Got to Die Some Day" has a familiar ring to it, and might well be the source for a line in Eddie Durham and Jimmy Rushing's "Sent for You Yesterday," a major hit for Count Basie and other big-band leaders during the late 1930s. "I Hate That Train Called the M. and O." is one of several Bogan songs inspired by locomotives. Because this particular train separated her from the man that she loved, the emotions expressed here are undiluted and powerfully direct. "Pig Iron Sally," like the train songs rooted in the industrialized territory where she lived and worked, is the testimony of a woman who protects herself by claiming to be filled with Evil. The underlying message is as clear and concise as a crossbow: "Do Not Mess with Me." In many ways, the blues is often used like a diary. Whenever she expressed herself in front of a recording microphone, this singer reflected on who she was, the kind of a world she lived in, and the sort of people who inhabited it. "B.D. Woman's Blues" is about "Bull Dykes"; women who exclusively prefer the company of other women and display what are considered to be masculine characteristics. "Barbecue Bess" is a lusty conflation of flesh (sexual pleasures) and meat (carnivorous dining), both delectable topics for insatiable appetites. "Shave 'Em Dry" exists here in three versions. The first, a cover of a song by Ma Rainey, is a straightforward blues garnished with traditional references to interpersonal relationships and straight-edged razor blades. The two unissued takes could never have been put before the public in the '30s because of the outrageously pornographic lyrics, but were most likely quite popular on the private party circuit. Stash Records made an obscene take available to an appreciative new generation in 1976 on their Copulatin' Blues collection. The sexual imagery is every bit as extreme as the smuttiest outbursts of Jelly Roll Morton's 1938 Library of Congress sessions. After bragging about nipples as stiff as thumbs and seemingly Olympic bouts of frenzied copulation, Bogan (or Bessie Jackson, as she was then called) conjures up a weird architectural edifice as the man's erect penis poses as a church steeple and his sphincter becomes the portal, through which "...the crabs walks in like people!" After describing this bizarre hallucination, which suggests a passage from either the electroshock journals of Antonin Artaud or Lautreamont's Les Chants de Maldoror, she busts out laughing and has to struggle to contain herself in order to finish her wild performance. After 1935, Lucille Bogan stopped making records and moved back to Birmingham, AL, where she managed her son's band, known as Bogan's Birmingham Rhythm Busters. This group, which included trumpeter Martin Barnett, saxophonist Lee Golden, pianist Robert McCoy, and washboard percussionist Clarence Curly, cut two sides for Vocalion in March of 1937. It's a pity that Document didn't dig these up and include them as a footnote at the end of this collection. Lucille Bogan eventually moved to Los Angeles where she died a victim of coronary sclerosis in 1948. Since the reissue of most of her works by Document in 1994, her name and voice have become familiar to small numbers of dedicated classic blues lovers worldwide. by arwulf arwulf  
Tracklist:
1 You Got to Die Some Day 2:42
Lucille Bogan
2 Lonesome Midnight Blues 2:34
Lucille Bogan
3 Boogan Ways Blues 2:57
Lucille Bogan
4 My Man Is Boogan Me 2:51
5 Pig Iron Sally 3:00
Lucille Bogan
6 I Hate That Train Called the M. and O. 3:10
7 Drinking Blues 2:58
Lucille Bogan
8 Tired as I Can Be 2:39
Lucille Bogan
9 Sweet Man, Sweet Man 3:04
10 Reckless Woman 2:54
Lucille Bogan
11 Down in Boogie Alley 2:53
12 Changed Ways Blues 2:57
13 Bo-Easy Blues 3:02
14 That's What My Baby Likes 3:02
15 Shave 'Em Dry 2:50
Lucille Bogan / Traditional
16 Shave 'Em Dry 3:22
Lucille Bogan / Traditional
17 Shave 'Em Dry 3:18
Lucille Bogan / Traditional
18 Barbecue Bess 2:42
Lucille Bogan
19 B.D. Woman's Blues 3:01
Lucille Bogan
20 Jump Steady Daddy 2:50
Lucille Bogan
21 Man Stealer Blues 3:02
Lucille Bogan
22 Stew Meat Blues 2:57
Lucille Bogan
23 Skin Game Blues 2:56
Lucille Bogan
Credits:
Guitar – Walter Roland (tracks: 6, 8)
Vocals – Lucille Bogan
Guitar [Prob.] – Bob Campbell (tracks: 6, 8), Josh White (tracks: 21)
Piano – Walter Roland (tracks: 1 to 5, 7, 9 to 23 )
Speech – Walter Roland (tracks: 5)