Sunday, July 26, 2020

JACKY TERRASON / CASSANDRA WILSON - Rendezvous (1997) FLAC (tracks+.cue), lossless


For this notable set, pianist Jacky Terrasson teams up with the smoky, chance-taking vocalist Cassandra Wilson, either Lonnie Plaxico or Kenny Davis on bass and percussionist Mino Cinelu. The music is quite impressionistic and atmospheric. Terrasson and Wilson stick to standards, but their renditions of such songs as "Old Devil Moon," "My Ship," "Tea for Two" and even "Tennessee Waltz" are quite haunting and floating, slightly disturbing and occasionally sensuous. Terrasson, who takes "Autumn Leaves" and "Chicago 1987" (the one non-standard) as solo pieces, was on his way to forming his own style, while Wilson had certainly found her niche. An intriguing matchup. by Scott Yanow
Tracklist:
1 Old Devil Moon 5:45
E.Y. "Yip" Harburg / Burton Lane
2 Chan's Song 5:44
Herbie Hancock
3 Tennessee Waltz 4:45
Pee Wee King / Redd Stewart
4 Little Boy Lost 5:03
Alan Bergman / Michel Legrand
5 Autumn Leaves 2:03
Joseph Kosma / Johnny Mercer / Jacques Prévert
6 It Might as Well Be Spring 4:55
Oscar Hammerstein II / Richard Rodgers
7 My Ship 3:24
Ira Gershwin / Kurt Weill
8 I Remember You 3:00
Johnny Mercer / Victor Schertzinger
9 Tea for Two 4:45
Irving Caesar / Vincent Youmans
10 If Ever I Would Leave You 5:28
Alan Jay Lerner / Frederick Loewe
11 Chicago 1987 3:10
Jacky Terrasson
Credits:
Bass – Lonnie Plaxico (tracks: 1,3,6,7,8,9,10)
Electric Piano – Jacky Terrasson (tracks: 3,5)
Percussion – Mino Cinelu (tracks: 1,2,3,6,7,8,9,10)
Piano – Jacky Terrasson (tracks: 1,2,4,5,6,7,8,9,10,11)
Vocals – Cassandra Wilson (tracks: 1,3,4,6,7,8,9,10)

2 comments:

  1. https://nitroflare.com/view/0DEF4FDE402CADE/Jacky_Terrasson_%26_Cassandra_Wilson_-_Rendezvous__1997-FLAC_.rar

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  2. The first phase the preparation should, theoretically, be uninfluenced by the intended intensity and duration of the sound which is subsequently produced. In fact, however, so quickly are the three phases accomplished that the pianist rarely has capacity to think, in performance, of each phase separately. FLAC vs MP3

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