Even though Sarah Vaughan recorded for Columbia between 1949 and 1952, only two LPs were culled from the many tracks she produced during this period: the guitar-bass-vocal-only After Hours, and Sarah Vaughan in Hi-Fi, a more jazz-oriented collection featuring a young Miles Davis and tenor player Budd Johnson, among others. These are among Vaughan's finest recordings, and the stellar accompaniment is reminiscent of the Teddy Wilson's small groups backing Billie Holiday on her Columbia recordings of the '30s. Here the still youthful Vaughan applies her technical mastery to jazz classics like "East of the Sun," "Come Rain or Come Shine," and "The Nearness of You," complete with startlingly elastic phrasing and sheer loveliness of voice Rovi Staff
Tracklist :
1 East of the Sun (And West of the Moon) 3:06
Brooks Bowman
2 Nice Work If You Can Get It 2:35
George Gershwin / Ira Gershwin
3 Come Rain or Come Shine 3:23
Harold Arlen / Johnny Mercer
4 Mean to Me 2:53
Fred E. Ahlert / Roy Turk
5 It Might as Well Be Spring 3:11
Oscar Hammerstein II / Richard Rodgers
6 Can't Get Out of This Mood 2:49
Frank Loesser / Jimmy McHugh
7 Goodnight My Love 3:37
Mack Gordon / Harry Revel
8 Ain't Misbehavin' 2:59
Harry Brooks / Andy Razaf / Fats Waller
9 Pinky 2:41
Frank Loesser / Alfred Newman / Arthur Newman
10 The Nearness of You 3:19
Hoagy Carmichael / Ned Washington
11 Spring Will Be a Little Late This Year 2:40
Mack Gordon / Frank Loesser / Harry Revel
12 Ooh, What 'Cha Doin' to Me 1:54
Alvin Fields / Theodis Rodgers
- BONUS TRACKS -
13 It's All in the Mind 3:21
A. Roberts, D. Fisher
14 The Nearness of You 3:09
Hoagy Carmichael / Ned Washington
15 Ain't Misbehavin' 2:59
Harry Brooks / Andy Razaf / Fats Waller
16 Goodnight My Love 3:44
Mack Gordon / Harry Revel
17 Can't Get Out of This Mood
Frank Loesser / Jimmy McHugh 2:50
18 It Might as Well Be Spring 3:26
Oscar Hammerstein II / Richard Rodgers
19 Mean to Me 2:49
Fred E. Ahlert / Roy Turk
20 Come Rain or Come Shine 3:32
Harold Arlen / Johnny Mercer
21 East of the Sun (And West of the Moon) 3:09
Brooks Bowman
Credits :
Bass – Billy "Pickles" Taylor, Jr. (pistas: 1 to 8, 15 to 21)
Clarinet – Tony Scott (pistas: 1 to 8, 15 to 21)
Drums – J.C. Heard (pistas: 1 to 8, 15 to 21)
Electric Guitar – Mundell Lowe (pistas: 1 to 4, 19 to 21)
Guitar – Freddie Green (pistas: 6 to 8, 15 to 17)
Piano – Jimmy Jones (3) (pistas: 1 to 8, 10, 14 to 21)
Soloist, Clarinet – Tony Scott (pistas: 6, 8, 15, 17)
Soloist, Electric Guitar – Mundell Lowe (pistas: 3, 20)
Soloist, Tenor Saxophone – Johnson (pistas: 3, 4, 6, 8, 15, 17, 19, 20)
Soloist, Trombone – B.Green (pistas: 6, 8, 15, 17)
Soloist, Trumpet – Davis (pistas: 2, 4, 8, 15, 19)
Tenor Saxophone – Budd Johnson (pistas: 1 to 4, 6 to 8, 15 to 17, 19 to 21)
Trombone – Benny Green (pistas: 1 to 4, 6 to 8, 15 to 17, 19 to 21)
Trumpet – Miles Davis (pistas: 1 to 8, 15 to 21)
Vocals – Sarah Vaughan
Notas.
Originally released 1955. Originally recorded 1949, 1950, 1952.
Tracks 13 to 21 are previously-unreleased bonus tracks
Track 13 recorded with a largely unidentified studio orchestra including a prominent alto saxophone.
Tuesday, November 8, 2022
SARAH VAUGHAN - Sarah Vaughan In Hi-Fi (1955-2009) RM | FLAC (image+.cue), lossless
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