MADELEINE PEYROUX — Standing On The Rooftop (2011) FLAC (image+.cue), lossless

In 2009, Madeleine Peyroux issued Bare Bones, her first recording of all-original material with producer Larry Klein and a small group of jazz musicians and co-composers. Standing on the Rooftop is her debut recording for Decca with producer Craig Street. The group of players here is a diverse lot: drummer Charlie Drayton, guitarists Christopher Bruce and Marc Ribot, bassist Me'Shell Ndegeocello; John Kirby, Glenn Patscha, and Patrick Warren alternate on keyboards, percussionist Mauro Refosco, violinist Jenny Scheinman, and Allen Toussaint guests on piano. The program is richly and elegantly painted with modern production touches even as its songs are rooted in the historical past of classic Americana: pop songs, blues, jazz, and sitting room tunes. It includes eight originals and four covers, among them a poem by W.H. Auden set to music by Ribot entitled "Lay Your Sleeping Head, My Love." The music is summery and laid-back. The languid parlor-room reading of "Martha My Dear" by Lennon & McCartney has a deliberate old-timey feel and twins well with "Fickle Dove" (one of two Peyroux tunes written with Scheinman). Robert Johnson's "Love in Vain," with its strange pump organ backdrop and studio echo, indulges the kinds of production tricks Tom Waits might employ in disguising a blues. That said, this song too has a twin of sorts in the sonically similar title track; a clattering rag blues with ambient electronics held in check by Peyroux's elegantly earthy vocal. Ribot's acoustic guitar and Toussaint's upright on the Auden poem give the singer a perfectly loose frame to create a song inside. The thin, lean, funky blues on "The Kind You Can't Afford" (co-written with former Rolling Stone Bill Wyman) and Bob Dylan's "I Threw It All Away" are both slow shuffles and high points. In the latter, Peyroux's voice shifts the lyric's meaning to where the implied bitterness gives way to bewilderment. The album's final three cuts, "Meet Me in Rio," "Ophelia," and "The Way of All Things" make fine use of Peyroux's jazz chops; and because of Street's production, make an exact time-space continuum wonderfully imprecise. As an album, Standing on the Rooftop may not be as striking as its predecessor, but perhaps it wasn't meant to be. It is a seemingly effort that pushes the familiar toward an uncertain future where pop genres cease to need to exist at all. Thom Jurek
Tracklist  :
1    Martha My Dear 2:32
Written-By – Lennon-McCartney
2    The Kind You Can't Afford 3:59

Written-By – Bill Wyman
3    Leaving Home Again 3:35
Written-By – Bill Wyman
4    The Things I've Seen Today 3:44
Written-By – Jenny Scheinman
5    Fickle Dove 3:28
Written-By – Jenny Scheinman
6    Lay Your Sleeping Head, My Love 3:23
Composed By – Marc Ribot
7    Standing On The Rooftop 5:46
Written-By – David Batteau
8    I Threw It All Away 3:15
Written-By – Bob Dylan
9    The Party Oughta Be Comin' Soon    5:00
10    Superhero 3:21
Written-By – Jonatha Brooke
11    Love In Vain 3:40
Written-By – Robert Johnson
12    Don't Pick A Fight With A Poet 4:28
Written-By – Andy Scott Rosen
13    Meet Me In Rio    3:51
14    Ophelia 5:12
Written-By – David Batteau
15    The Way Of All Things    4:02
16    The Things I've Seen Today
Credits :
Bass – Meshell Ndegeocello
Drums – Charley Drayton
Guitar – Christopher Bruce, Marc Ribot
Keyboards – Glenn Patscha, John Kirby, Patrick Warren
Percussion – Mauro Refosco
Piano – Allen Toussaint
Violin – Jenny Scheinman
Vocals – Madeleine Peyroux