Sunday, July 19, 2020

ALEX PANGMAN - Have a Little Fun (2013) FLAC (tracks+.cue), lossless

 
Tracklist:
1    Some of These Days 2:17  
Shelton Brooks / Paul Rardin
2    Are You Having Any Fun 2:23  
Sammy Fain / Jack Yellen
3    The Fog Song 4:15
Alex Pangman
4    The Panic Is On 3:36 
George Clark / Bert Clarke / Winston Collins Tharp / Thomas Waller
5    I'm Confessin' 3:01   
Doc Daugherty / Al J. Neiburg / Ellis Reynolds
6    It Felt So Good to Be So Bad 3:50    
Alex Pangman
7    Just One More Chance 3:06    
Sam Coslow / Arthur Johnston
8    Shanghai Lil 4:11
Al Dubin / Harry Warren
9    Out of Nowhere 4:26    
John W. Green / Edward Heyman
10    Stardust 3:55 
Hoagy Carmichael / Mitchell Parish
11    Melancholy Lullaby 3:24  
Alex Pangman
12    Topsy Turvy 3:22     
Alex Pangman
13    Undecided 2:48  
Sydney Robin / Charlie Shavers
14    Some of These Days (Intro) 0:30
Shelton Brooks / Paul Rardin
Credits:
Bass – Chris Banks (tracks: 3, 4, 6, 8, 12, 13), Michael Herring (tracks: 1, 2, 5, 7, 9 to 11)
Clarinet, Tenor Saxophone – Ross Wooridge (tracks: 4, 6, 8, 12, 13)
Drums – Chris Lamont (tracks: 6, 8, 12, 13), Glenn Anderson (tracks: 3, 4)
Guitar – Jesse Barksdale (tracks: 3, 4, 6, 12, 13)
Guitar [Guest] – Bucky Pizzarelli (tracks: 1, 2, 5, 7, 9 to 11)
Piano – Peter Hill (tracks: 3, 4, 6, 8, 12, 13)
Producer – Alex Pangman, Don Kerr
Trombone – Laurie Bower (tracks: 3)
Trumpet – Brigham Phillips (tracks: 4, 6, 8, 12, 13)
Violin – Drew Jurecka (tracks: 1, 2, 5, 7, 9 to 11)
Vocals – Alex Pangman

 

RACHELLE FERRELL - Rachelle Ferrell (1992) APE (image+.cue), lossless


Rachelle Ferrell wore two hats in the 1990s: straight-ahead jazz singer and commercial R&B/pop singer along the lines of Anita Baker, Miki Howard, and Angela Bofill. Produced mostly by George Duke, this self-titled album is an example of her R&B/pop side. With this smooth, classy effort, Manhattan/Capitol was obviously intent on appealing to the more adult-oriented tastes in the urban contemporary market. While artists like Mary J. Blige, Bell Biv DeVoe, Babyface, and Janet Jackson were making R&B relevant to hip-hoppers, Ferrell opted for maximum quiet storm appeal with this album. If you were buying a lot of Baker, Luther Vandross, and Freddie Jackson albums in the early '90s (along with some Grover Washington, Jr. and Joe Sample, perhaps), you were exactly the type of listener Manhattan/Capitol had in mind with sophisticated numbers like "It Only Took a Minute," "'Til You Come Back to Me," and "Sentimental." Most of the songs are appropriate vehicles for the Philadelphian's big, rich voice, but while this collection of mood music isn't bad, it isn't the gem that Ferrell had the ability to deliver. As pleasant and likable as much of the material is, one got the impression that she was capable of a lot more. by Alex Henderson  
Tracklist:
1 I'm Special 6:07
Backing Vocals – Rachelle Ferrell
Bass – Freddie Washington
Drums – Ricky Lawson
Guitar – Paul Jackson Jr.
Keyboards – George Duke
Written-By – Rachelle Ferrell
2 Welcome To My Love 5:37
Backing Vocals – George Duke, Jim Gilstrap, Rachelle Ferrell
Bass – Freddie Washington
Drums – Ricky Lawson
Guitar – Paul Jackson Jr.
Keyboards – George Duke
Piano – George Duke
Written-By – Donald Robinson, George Duke, Rachelle Ferrell
3 Waiting 6:00
Backing Vocals – Rachelle Ferrell
Bass – Al Turner
Cymbal – Doug Nally
Guitar – Michael J. Powell
Keyboards – Vernon Fails
Percussion – Michael J. Powell
Programmed By – David Ward, Paul D. Allen
Written-By – Michael J. Powell, Rachelle Ferrell, Vernon Fails
4 It Only Took A Minute 4:40
Backing Vocals – Carolyn Perry, Darlene Perry, Lori Perry, Rachelle Ferrell, Sharon Perry
Bass – Freddie Washington
Guitar – Paul Jackson Jr.
Keyboards – George Duke
Piano – George Duke
Written-By – Danny Sembello, Donnell Spencer, Marti Sharron
5 With Open Arms 6:19
Backing Vocals – Rachelle Ferrell
Bass – Freddie Washington
Drums – Ricky Lawson
Guitar – Paul Jackson Jr.
Keyboards – George Duke
Organ [Hammond] – George Duke
Piano – George Duke
Written-By – Donald Robinson, Rachelle Ferrell
6 'Til You Come Back To Me 6:12
Backing Vocals – Jim Gilstrap, Lori Perry, Lynn Fiddmont, Rachelle Ferrell
Bass – Larry Kimpel
Drums – Ricky Lawson
Guitar – Paul Jackson Jr.
Keyboards – Brian Simpson, George Duke
Written-By – Karyn White, Steve Harvey, Valerie Davis
7 You Can't Get (Until You Learn To Start Giving) 3:42
Backing Vocals – Alex Brown, Josie James, Rachelle Ferrell
Bass – Freddie Washington
Drums – Ricky Lawson
Guitar – Paul Jackson Jr.
Horns – George Duke
Percussion – George Duke
Written-By – Rachelle Ferrell
8 Nothing Has Ever Felt Like This 6:25
Arranged By – Rachelle Ferrell
Bass – Anthony Jackson
Drums – Buddy Williams
Guitar – Kevin Eubanks, Mike Campbell
Percussion – Steve Thornton
Piano – Barry J. Eastmond
Vocals – Will Downing
Written-By – Rachelle Ferrell
9 I Know You Love Me 3:53
Arranged By – Rachelle Ferrell
Backing Vocals – Rachelle Ferrell
Bass – Freddie Washington
Congas – Paulinho Da Costa
Drums – Doug Nally
Guitar – Paul Jackson Jr.
Horns – Rachelle Ferrell
Keyboards – Rachelle Ferrell
Organ – Rachelle Ferrell
Programmed By – David Ward, Paul D. Allen
Strings – Rachelle Ferrell
Tambourine – Michael J. Powell
Written-By – Rachelle Ferrell
10 Sentimental 3:37
Arranged By – Rachelle Ferrell
Bass – Freddie Washington
Guitar – Paul Jackson Jr.
Keyboards – Rachelle Ferrell
Percussion – George Duke
Strings – George Duke
Written-By – Rachelle Ferrell, Tena Clark
11 Could've Fooled Me 4:36
Backing Vocals – George Duke, Jim Gilstrap, Rachelle Ferrell
Bass – Freddie Washington
Drums – George Duke
Guitar – Paul Jackson Jr.
Keyboards – George Duke
Percussion – George Duke
Piano – George Duke
Written-By – David Foster, Dennis Lambert
12 Too Late 4:05
Arranged By – George Duke, Rachelle Ferrell
Bass – Freddie Washington
Drums – Ricky Lawson
Guitar – Carlos Rios
Keyboards – George Duke
Piano – George Duke
Saxophone – Kirk Whalum
Trombone – George Bohannon
Trumpet – Oscar Brashear
Written-By – Rachelle Ferrell
13 Peace On Earth 4:19
Arranged By – Rachelle Ferrell
Piano – Rachelle Ferrell
Written-By – Rachelle Ferrell

TERI THORNTON - I'll Be Easy To FInd (1999) WV (image+.cue), lossless


After a nearly 40-year hiatus, Teri Thornton is back to swing and sing her way into your heart. In comparison to her old Riverside recordings, it seems she's lost nothing vocally, her angelic clarity and soulful vibrato are intact, and her enthusiasm is still spiking depth charts. She's backed by her own piano on four cuts, and the able Ray Chew on the others, save Norman Simmons for the sole live-in-concert finale (she and Simmons are credited) with bassist Lonnie Plaxico, alto sax and flute master Jerome Richardson, trombonist Dave Bargeron, multi-instrumentalist Howard Johnson, and drummer J.T. Lewis. At her best on ballads, blues, and upbeat swingers, Thornton proves she really can do it all. Her rippling Ella-cum-Sarah chords are unfettered on a rousing live "Salty Mama" with Grady Tate (drums) and Michael Bowie (bass). The funky blues is all right with Thornton on "Feels Good." A showstopper, "Knee Deep in the Blues," and the faded in and out bossa "Wishing Well" are from her pen. The most unusual arrangement by producer Suzi Reynolds of "Nature Boy" has no discernible time signature. It's kinetic but seems to float, Plaxico punctuating but never seeming to ever hit one. Richardson's great flute work and Bargeron and Johnson's background horns play inquisitive mind games, quite a challenging listen. She sings the ballads "Somewhere in the Night," "Where Are You Running?," and the title cut immaculately -- not kitten soft but forcefully pronounced. She's boppin' on "It Ain't Necessarily So" and adapts "The Lord's Prayer" in a modal vein, Chew's piano chordally searching for deliverance, and she really shines instrumentally on "I'll Be Seeing You" in a fashion that rivals Shirley Horn. There is a definitive song, "I Believe in You," with a great lyric that seems to sum up the influence of a certain someone who has helped Thornton through her battles with cancer and the constant yin-yang of raising a family for these past four decades. Teri Thornton is emphatically back with this complete view of an artist, finally giving us a taste of what we've suspected lo these many years. by Michael G. Nastos 
Tracklist
1      Somewhere in the Night  3:48 
May, Raskin 
2 I Believe in You 2:48 
Loesser 
3 It Ain't Necessarily So  3:17 
Gershwin, Gershwin 
4 The Lord's Prayer  5:00 
Thornton 
5 Knee Deep in the Blues  7:11 
Thornton 
6 I'll Be Easy to Find 4:35 
Howard 
7 Nature Boy 4:51 
Ahbez 
8 Wishing Well  5:14 
Thornton 
9 Where Are You Running?  2:50 
Harris 
10 Feels Good  3:19 
Thornton 
11 I'll Be Seeing You  5:35 
Fain, Kahal 
12 Salty Mama  3:34
Thornton 
 Credits 
Bass – Lonnie Plaxico (tracks: 1-11), Michael Bowie (tracks: 12) 
Cornet, Tuba, Contrabass Clarinet, Baritone Saxophone – Howard Johnson (tracks: 1, 3, 5, 7-9) 
Drum – Grady Tate (tracks: 12), J.T. Lewis (tracks: 1-11) 
Flute, Bass Flute, Alto Saxophone – Jerome Richardson (tracks: 1, 4, 7-9) 
Piano – Norman Simmons (tracks: 12), Ray Chew (tracks: 1-6, 8, 9), Teri Thornton (tracks: 7, 10, 11) 
Trombone – Dave Bargeron (tracks: 1, 7-9) 
Vocals – Teri Thornton 

Saturday, July 18, 2020

MADELINE BELL - Madeline Bell (1971-2010) Mp3


By the time Madeline Bell's self-titled album (actually her third) came out in 1971, the American soul singer had been a top session vocalist in the U.K. for years, as well as achieving some British chart success as a singer in Blue Mink. Aside from the 1968 U.S. hit "I'm Gonna Make You Love Me," however, she never would achieve major chart success as a soloist. Like many a talented singer, in sheer chops and versatility she measured up to the artists she backed (such as Dusty Springfield), yet didn't quite have the vocal personality or material necessary to have the kind of stardom someone like Springfield did. That means this album isn't up to the standards of more famous soul singers of the period, but if you adjust your expectations properly, it's a pretty solid early-'70s soul LP. Avoiding the excesses starting to creep into some mainstream soul productions at the time, she handles an assortment of reasonably decent tunes with strong vocal performances, including solo versions of three songs that had already been recorded by Blue Mink for their Our World album. Some of the album's cuts are earthy love songs, but she proves capable of sweet pop tunes on "You Walked Away" and a cover of Bread's "Make It with You" that comes off better than you might guess. Other tracks like "Get Off Your Back-Sides" have more of the somewhat socially conscious let's-get-it-together sort of feel common in the early '70s, though the vibe doesn't get pretentious. She seems most engaged in the songs she wrote with Blue Mink's Alan Parker, making one wish more of their compositions had made it onto the album. The 2010 CD reissue on RPM adds good historical liner notes. by Richie Unterberger  
Tracklist:
1 If You Didn't Hear Me The First Time (I'll Say It Again) 3:01
Teddy Vann
2 Sweet Lovin' 3:48
Susan Cohen
3 You Walked Away 3:15
Madeline Bell / Alan Parker
4 World (You're Closing On Me) 4:17
Peter Green / Alan Parker
5 Make It With You 3:07
David Gates, Jr.
6 Get Off Your Back-Sides 3:53
D. Gordon / H. Gordon
7 Houses 3:07
Clive Westlake
8 Ordinary People 3:26
Mehran Ahari
9 Mind Your Business 2:24
Madeline Bell / Alan Parker
10 Blues 2:54
Madeline Bell / Alan Parker
11 You're The Fool 2:37
Sharon McMahan
12 Love Ain't Love 2:46
Van McCoy
Credits:
Arranged By – Chris Hughes
Vocals – Madeline Bell